How To Choose A Monologue For A Stage Audition

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How To Choose A Monologue For A Stage Audition
Almost any theater audition will require actors to perform a monologue. Choosing the right monologue can be important in determining if you will be cast. Below are some important tips to keep in mind when selecting your audition monologue.

Length: Keep in mind, less is much more. Many actors fall under the trap of choosing a 4-5 minute monologue. This just boosts the possibilities of you losing your audience. I suggest performing a monologue that's no more then a minute long. If the director has to hear much more, he/she will ask you to perform something else. The important thought to keep in mind is to leave them wanting even more!

Have several monologues prepared: Often times the director will want to hear something else. This is why it's important to constantly have several monologues in your "back pocket" simply in situation. These should constantly be of various styles and genres. For instance you should constantly have the following kinds of monologues prepared prior to you visit any audition: contemporary dramatic, contemporary comedic, classic dramatic, classic comedic.

Genre: This seems simple sufficient, however you would be amazed the number of actors choose an inappropriate monologue for the play they're auditing for! It's simple, if you're auditing for a comedy, perform comedic monologue. The exact same goes if it's a drama. Likewise keep in mind to comply with the directions in the audition notice. Often times it will specify exactly what the kind of monologue should be performed.

Performing from the play: Unless it's particularly specified, you should NEVER perform a monologue from the play where you're auditioning. If the director wants to hear you perform a piece from the play, he/she will call you back.

Self contained: The monologue should have an organic beginning, center and end. It should be self contained so the director knows precisely that you're talking to, the dispute and resolution. Believe if it as a mini-play. Likewise avoid monologues that require a great deal of back story.

Conclusion

Bear in mind; most of all else an audition is a performance. Strive to take the director on a "trip" with you. Make him/her read the character. Enable him/her to feel the dispute. If you do, you'll have many astonishing acting chances in store for you!